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Bury Your Hatchet

by Piedmont Temperance Movement

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1.
In downtown Marshall on a Friday night, Beneath the knotty pine and the depot lights, A good ol’ boy making a six-string hum, The stars and stripes hung across the room As a backdrop for lonesome country tunes All pining for a time that probably never was. Bodies move in the warm night air Sweet perfume and slicked back hair A place where time don’t care They danced like everyone was watching They danced like to save their souls They danced like to teach us a lesson About how to hold on, and when to let go They danced like no one dances anymore The regular crowd was growing thin When a younger couple took the floor again He held her close, like he knew what he had She moved like water, they moved as one They moved like the work of the day was done And the smile in her eyes filled up the room Hand in hand and cheek to heart It wouldn’t matter if the world fell apart Their love a work of art They danced like everyone was watching They danced like to save their souls They danced like to teach us a lesson About how to hold on, and when to let go They danced like no one dances anymore And in those moments we were moved By the gravity of all we’d come together there to do To share the night, to share a song In the shadow of the mountains, where roots run deep and strong What we’d been missing had been there all along We danced like everyone was watching We danced like to save our souls We danced like to learn a lesson About how to hold on and when to let go We danced like everyone was watching We danced like to save our souls We danced like to learn a lesson About how to hold on and when to let go We danced like no one dances anymore
2.
Atlas 04:22
Fifty men come to get him He is waiting alone Fifty men with guns in their hands Gonna take him from his home He’s waiting for fire As they press him from his hill Drag him to the deepest places To incinerate his will How long ‘til you break from the weight of the world When they get through with him A cave becomes his home No earth for root to take hold No heat for his bones He searches for voices The echoes are liars He peers through the gloom For understanding eyes How long ‘til you break from the weight of the world The voice from the valley Whispers dark and low Says it knows of his pain Says he’s not alone A light fills the cave The flash burns his eyes He hears footsteps approaching He turns and runs and hides How long ‘til you break from the weight of the world
3.
Me and Magdalena We're driving south through Monterey As the sun is slowly sinking Into a distant ocean wave And I don't know if I've ever loved any other Half as much as I do in this light she's under Tell me Magdalena What do you see in the depths of your night? Do you see a long lost father? Does he hold you with the hands you remember as a child? But know everything lost will be recovered When you drift into the arms of the undiscovered And I don't know if I've ever loved any other Half as much as I do in this light she's under Me and Magdalena Always leaving early and sleeping late Secluded in the canyon Lost within a turn of fate But know everything lost will be recovered When you drift into the arms of the undiscovered And I don't know if I've ever loved any other Half as much as I do in this light she's under
4.
In a very old room, with very old floors Made of white oak, cut down before the wars Walls that have heard the dreams and schemes of many men I still see you sitting there,In that second-hand rocking chair, A baby lulled to sleep by that song again A borrowed tune, In a borrowed room, On borrowed time, beneath a borrowed moon, Rock that weathered hand-me-down, (Holding you up, holding you up) Roll back years in shades of brown, (Now is enough, now is enough) A well-worn path, carved and curved A life inscribed in old heartwood, By the days that know us. You said “I do,” but had no way to know which way our crooked path would go But we thought the story would be ours to write Slowly making sense of all we received, Shaped by second-hand memories, Singing old familiar songs makes it feel alright A borrowed tune, in a borrowed room, On borrowed time, beneath a borrowed moon, Rock that weathered hand-me-down, (Holding you up, holding you up) Roll back years in shades of brown, (Now is enough, now is enough) A well-worn path, carved and curved A life inscribed in old heartwood, By the days that know us. It isn’t ours, but we can hold it for a minute It isn’t ours, but we can carve our initials in it Now it seems we’ve built a life of our own, Moss grown lush on our rolling stone, Two chips off the block who shake the rafters loose We bent those beams under a common star, Past lights singing over who we are, Hand in hand we stumble toward the truth A borrowed tune, In a borrowed room, On borrowed time, beneath a borrowed moon, Rock that weathered hand-me-down, (Holding you up, holding you up) Roll back years in shades of brown, (Now is enough, now is enough) A well-worn path, carved and curved A life inscribed in old heartwood, By the days that know us. All things are meant to pass along, To hands whose work is carried on, By the days that know us.
5.
Bathsheba 05:21
What I took was what you had What you had is what you held What you held is what you Tried to hide in tiny fingers Those lonely green eyes Those cavernous nights They’re pulling me down Hey Bathsheba, Come down from your roof Oh Bathsheba, It’s time we faced the truth We been peering over walls, whispering through the cracks, feeling lost, changed, and lonely, trying to find a way to make it back Come on Bathsheba, don't you lie What we conceived between us is dead A drunken fever dream and what you needed was a friend I know I can’t redeem those words When I lost in my head Hey Bathsheba, Come down from your roof Oh Bathsheba, It’s time we faced the truth We been peering over walls, whispering through the cracks, feeling lost, changed, and lonely, trying to find a way to make it back Come on Bathsheba, don't you cry Now I’ve become a stranger to you Disappeared in our ways I don’t know if it it can happen, girl But I’d like to see you again someday Hey Bathsheba, Come down from your roof Oh Bathsheba, It’s time we faced the truth We been peering over walls, whispering through the cracks, feeling lost, changed, and lonely, trying to find a way to make it back Come on Bathsheba, don't you die
6.
​Born up in the bluegrass, before it made a sound Pennyroyal in your veins, so bitter going down Prophetic slip of papa’s pen, Your name became a weight, to ​​Carry to Carry A ​​Nation, Mother ​​Mary’s shattered memory, Victoria in rags, A country sore divided, you did what you could to save One marriage dead and buried before the body cooled, ​Spirits calling westward, the ​child of a fool, Yours to ​Carry to Carry A Nation Can you ​rest now, severe in black of grave Can you sleep now, with so many ​]left to save Does it ​haunt you? Those ​spirits flowing free, Can you ​bury, bury your ​hatchet, ​Carry A ​​Nation? ​Another husband lends his name, a banner for your cause As rocks cry out for justice in the stony voice of God “Go forth to dark Kiowa, and set those spirits free” Smashers in your kerchief, heart ​filled with zealous glee, you ​Carry, Carry A ​Nation ​Temperance your cause, but abstinence your aim The rocks proved true, but not true enough, hatchetiation a better game Turning blade to stave in seedy joints, the power of your arm ​Drawing women to your cause, to ​​save their men from harm Go ​Carry Carry A ​Nation Can you ​rest now, se​vere in black of grave Can you sleep now, with so many ​]left to save Does it ​haunt you? Those ​spirits flowing free, Can you ​bury, bury your ​hatchet, ​Carry A ​​Nation? Three ​dozen county jail cells could not tamp your fire down, Cursed by every barkeep in every dusty town, They beat you and they mocked you, yet you refused to yield Until the spirits left you, ​fallen in a field Dead and ​buried, Carry A ​Nation Can you ​mend a broken heart that fuels an awful quest? Can you mourn a broken body that knows its final rest? Can you right a wrong before its done, undrink that bitter cup? Can you ​​name the fear that’s haunting you, and ​​say enough’s enough? Must you carry, Carry A Nation? Can you ​rest now, se​vere in black of grave Can you sleep now, with so many ​]left to save Does it ​haunt you? Those ​spirits flowing free, Can you ​bury, bury your ​hatchet, ​Carry A ​​Nation? Can you ​rest now, se​vere in black of grave Can you sleep now, with so many ​]left to save Does it ​haunt you? Those ​spirits flowing free, Can you ​bury, bury your ​hatchet, ​Carry A ​​Nation? Bury your hatchet.
7.
8.
The minstrel boy to the war is gone In the ranks of death you'll find him His father's sword he has girded on And his wild harp slung behind him "Land of Song!" cried the warrior bard "Tho' all the world betrays thee One sword, at least, thy rights shall guard One faithful harp shall praise thee!" The Minstrel fell! But the foeman's chain Could not bring that proud soul under The harp he loved never spoke again For he tore its chords asunder And said "No chains shall sully thee Thou soul of love and brav'ry Thy songs were made for the pure and free They shall never sound in slavery"
9.
As time draws near my dearest dear When you and I must part How little you know of the grief and woe In my poor aching heart Each night I suffer for your sake Believe me dear, its true I wish weren't going away Or I was staying with you Oh that my breast were made of glass Wherein you might behold Upon my heart your name lies wrote In letters made of gold In letters made of gold my love Believe me when I say You are the one I love the best Until my dying day The blackest crow that ever flew Would surely turn to white If ever I prove false to you Bright day would turn to night Bright day would turn to night, my love The elements would mourn If ever I prove false to you The seas would rage and burn
10.
Haunting You 04:46
Bitterness grows by degrees, a sidewalk cracked by the roots of the trees, pushing up from below, pressure building real slow, til it breaks and you fall to your knees Loneliness comes in waves, scouring the shoreline and opening graves, floating just past the break, in the darkness it waits, to rush in when it seems that you’re saved. What hides behind skin tough as lies? Don’t give in to all that’s haunting you. Silence is filled to the brim, a cup overflowing with doubt from within, Though the air may be still, there is no force of will, that can quiet what might have been. Still waters run deep so they say, and calm on the surface would never betray, glass may be smooth but a mirror is too, and reflections have secrets to keep. What hides behind skin tough as lies? Don’t hold on to all that’s haunting you? Mercy cuts like a knife, shredding the pain that you thought was a life, One gesture of grace from a unselfish place can carve a way back to the light What hides behind skin tough as lies? Let hope run undo all that’s killing you, let your light shine through.
11.
I come to the garden alone While the dew is still on the roses And the voice I hear, falling on my ear The Son of God discloses And He walks with me And He talks with me And He tells me I am His own And the joy we share as we tarry there None other has ever known He speaks and the sound of His voice Is so sweet the birds hush their singing And the melody that He gave to me Within my heart is ringing And He walks with me And He talks with me And He tells me I am His own And the joy we share as we tarry there None other has ever known And the joy we share as we tarry there None other has ever known
12.
Of all the money that e'er I spent I've spent it in good company And all the harm that ever I done Alas it was to none but me And all I've done for want of wit To memory now I can't recall So fill to me the parting glass Good night and joy be with you all If I had money enough to spend And leisure time to sit awhile There is a fair maid in the town That sorely has my heart beguiled Her rosy cheeks and ruby lips I own she has my heart enthralled So fill to me the parting glass Good night and joy be with you all Oh, all the comrades that e'er I had They're sorry for my going away And all the sweethearts that e'er I had They'd wish me one more day to stay But since it falls unto my lot That I should rise and you should not I'll gently rise and softly call Good night and joy be with you all

about

This project could not have happened without the financial support of the folks on this list. Thank you for helping us bring this into the world. Goodnight, and joy be with you all!

Alex & Patty Funderburg
Anne Ratcliffe
Jeniffer Torres
Trey McPhaul
Henry Patterson
The Harnetts
Lori Sapigao
Bobby Jo Valentine
Brooks and Chris Miller
Gary Conder
Michael and Liza Sullivan
Maria McRae
Janice Cloninger
Jeananne Nichols and Jeanette Brown
Walter Yates
E. Graham McGoogan, Sr.
Amy Shreve
Kimberly Greer
Karen Ipock
Julie Armistead
Jackie Southwell
Dave Homans
Zach Hawke
Danielia Barron
Nichole Bloomberg
Barry J. Schwartz
Ron Kersey
Ryan Comley
Daniel Moskey
Walt Comley
Sarah Davis Johnson
Scott Manson
Fran Teter
Tanner Jones
Christopher Morse
Tim Saunders
Morgan Rogers
Kristen Dean-Grossmann
Caroline Currie
John Files
Rich Manning
Rebecca Pope

credits

released June 17, 2020

Piedmont Temperance Movement is:
Brian “Doc” Sullivan- Mandolin, Guitar, Vocals
Adam “Hitch” Nannini- Guitar, Vocals
Graham “Buster” McGoogan- Banjo, Ukulele, Vocals
Matthew “Kidd” Files- Cello, Hurdy-Gurdy, Vocals

Recorded, Mixed, and Mastered (and Accordioned) by Mark Dillon

Downtown Marshall, Second Hand Rocking Chair, Carry a Nation, Haunting You- Written by Brian Sullivan

Atlas, Bathsheba- written by Adam Nannini

Me and Magdalena- written by Ben Gibbard, recorded and distributed with permission, © Where I’m Calling From Music

Photography by Brian Sullivan

Cover design by Sidni Dill, Duck and Dill Photography


Special Thanks to:
Mark Dillon for the many hours he spent on this project; University City UMC for the recording space; Elizabeth, Cormac, and (at the time, in utero) Jack Sullivan for putting up with our practice shenanigans; Julie Armistead the use of her 1933 Martin OM-18 (heard on Carry A. Nation); The 21st Amendment; and all of you who have come to our shows, booked us for parties, and sung along with us up to this point.

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Piedmont Temperance Movement Charlotte, North Carolina

A folk-ish quartet from Charlotte, NC. Four strapping gents picking, strumming, and mellifluously singing songs old and new. Goodtime vibes, eclectic sets.

"Moving Temperance out of the Piedmont one drink at a time"

"Good time portents and nostalgic laments for the world weary and spirit thirsty soul"

Brian "Doc" Sullivan
Adam "Hitch" Nannini
Graham "Buster" McGoogan
Matthew "Kidd" Files
... more

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